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| Art of the Samurai: Japanese Arms and Armor, 1156–1868 |
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| The Metropolitan Museum of Art
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Online presentation of a 2009-2010 exhibition, the "first comprehensive exhibition devoted to the arts of the samurai" and "the first exhibition ever devoted to the subject of Japanese arms and armor conservation." With images of 27 objects.
Go to Museum Resource: https://www.metmuseum.org/exhibitions/listings/2009/art-of-the-samurai/photo-ga... | |
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| The Floating World of Ukiyo-e: Shadows, Dreams, and Substance |
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| Library of Congress
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Online presentation of a 2003 exhibition showcasing the Library's holdings of Japanese prints, books, and drawings from the 17th to the 19th century. Images organized into the following categories: 1) Early Masters (1600-1740); 2) Major Genres: Beauties, Actors, and Landscapes; 3) Images and Literary Sources; 4) Realia and Reportage; 5) Japan and the West: Artistic Cross-Fertilization; 6) Beyond Ukiyo-e: Modern and Contemporary Japanese Prints. The EXHIBITION OVERVIEW provides historical background about ukiyo-e.
Go to Museum Resource: http://www.loc.gov/exhibits/ukiyo-e/ | |
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| Golden Fantasies: Japanese Screens from New York Collections |
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| Asia Society
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Online presentation of a 2004 exhibition of Japanese folding screens. Features 14 screens with descriptive text. Several of these illustrate Japanese literary classics such as the “Chronicle of the Great Peace” (Taiheiki); the Tale of the Heike; the Tales of Ise; and the Tale of Genji.
Go to Museum Resource: http://sites.asiasociety.org/arts/japanesescreens/index.html | |
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| The Legends of Hachiman |
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| Smith College Museum of Art
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"This particular pair of lavishly ornamented handscrolls illustrates the legends of the Shinto deity Hachiman. The paintings, which date to the mid-seventeenth century, are rendered in the yamato-e style favored by the members of the Tosa school to which they are attributed. Both the painting and the calligraphy exemplify the highly refined styles favored by the court at the start of the Edo period (1615-1868)." This project of Smith College now hosted here.
Go to Museum Resource: https://hachimanhandscrolls.com/ | |
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| Pictures of the Floating World |
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| Victoria and Albert Museum
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"Ukiyo-e means 'Pictures of the Floating World.' Images of everyday Japan mass-produced for popular consumption in the Edo period (1615-1868), they represent one of the high points of Japanese cultural achievement." A special feature on ukiyo-e discussing the following topics: 1) What are Ukiyo-e?; 2) The Production Process; 3) Popular Themes in Ukiyo-e Prints; and 4) Fan Prints; plus a selection of 30 prints with descriptions.
Go to Museum Resource: http://www.vam.ac.uk/content/articles/u/ukiyo-e-pictures-of-the-floating-world/ | |
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| Prints & Photographs Online Catalog: Fine Prints, Japanese, pre-1915 |
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| Library of Congress
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"The Library's Prints and Photographs Division houses more than 2,500 woodblock prints and drawings by Japanese artists of the seventeenth through early twentieth centuries including Hiroshige, Kuniyoshi, Sadahide, and Yoshiiku. ... About seventy percent of the collection is currently available online." The BACKGROUND AND SCOPE section has selections from the collection organized into the following categories: Actors; Women; Landscapes; Scenes from Japanese Literature; Daily Life; Views of Western Foreigners. Also with brief discussions of ukiyo-e and Yokohama-e prints, the latter being the images of foreigners in the port city of Yokohama produced by Japanese artists following the 1852-54 expedition of Commodore Matthew Perry (1794-1858).
Go to Museum Resource: http://www.loc.gov/pictures/collection/jpd | |
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| Seven Sages of the Bamboo Grove |
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| Asia Society
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"The Seven Sages of the Bamboo Grove were a group of Chinese learned men from the third century CE. During a time of political upheaval, the group distanced themselves from governmental service, choosing instead to spend time engaged in Daoist-inspired discussions, poetry, and music, sometimes while inebriated. ... Seven Sages of the Bamboo Grove, featuring traditional works of art from China and Japan, has been organized to accompany and provide some cultural context for Asia Society’s exhibition of Seven Intellectuals in a Bamboo Forest, the contemporary video work by Chinese artist Yang Fudong."
Go to Museum Resource: https://asiasociety.org/new-york/exhibitions/seven-sages-bamboo-grove | |
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| Turning Point: Oribe and the Arts of Sixteenth-Century Japan |
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| The Metropolitan Museum of Art
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Online presentation of a 2003-2004 exhibition that "explores the genesis of the dramatic stylistic changes in Japanese art during the brief but brilliant Momoyama period (1573–1615), which witnessed the struggles of ambitious warlords for control of the long-splintered country and Japan’s first encounter with the West. ... Serving the last two leaders [of the period] as warrior and tea master—or cultural adviser—was Furuta Oribe (1543/44–1615), who left an indelible mark on the aesthetics of the period." Featuring related artworks with descriptions, organized by medium (genre painting on folding screens and hanging scrolls; ceramics for the tea ceremony; lacquerware; and tsujigahana textiles for garments worn by the society's elite). Images and maps available in the publication of the exhibit.
Go to Museum Resource: https://www.metmuseum.org/exhibitions/listings/2003/oribe/ | |
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