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| Black Ships & Samurai: Commodore Perry and the Opening of Japan (1853-1854) |
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| Massachusetts Institute of Technology, Visualizing Cultures
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"On July 8, 1853, residents of feudal Japan beheld an astonishing sight—foreign warships entering their harbor under a cloud of black smoke. Commodore Matthew Perry had arrived to force the long-secluded country to open its doors." The ESSAY section "examines graphics from the American and Japanese sides of the momentous encounter"; the VISUAL NARRATIVES section "retells topics or stories from the encounter." A CURRICULUM section for teachers and students can be found under the "Black Ships & Samurai" menu at the top of the page.
Go to Museum Resource: http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/index.html | |
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| Create a Miniature Collagraph Screen Inspired by the Japanese Screens Crows in Early Winter |
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| Santa Barbara Museum of Art
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Create a 2-dimensional design for a 3-dimensional structure in the form of a miniature tri-fold screen. Experiment with a collagraphy printmaking technique. Create a dynamic composition using only two colors.
Go to Museum Resource: https://content.sbma.net/education/lessonPlans/pdf/Miniature%20Collagraph%20Scr... | |
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| Create a Simulated Woodblock Print |
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| Asian Art Museum of San Francisco
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Students will be able to identify, compare and contrast images of traditional Japanese woodblock prints. They will then create their own simulated woodblock prints. Downloads include activities, slideshow and guides.
Go to Museum Resource: https://education.asianart.org/resources/create-a-simulated-woodblock-print/ | |
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| Edo Period, 1615-1868 |
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| Minneapolis Institute of Arts
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"With the decisive battle of Sekigahara, Tokugawa Ieyasu effectively usurped control of the country. In 1603 he assumed the title of Shogun and established his seat of power in the small fishing village of Edo (modern-day Tokyo)." A brief one-paragraph overview, with 34 objects from the period.
Go to Museum Resource: http://archive.artsmia.org/art-of-asia/history/japan-edo-period.cfm | |
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| Felice Beato's Japan: People, An Album by the Pioneer Foreign Photographer in Yokohama |
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| Massachusetts Institute of Technology, Visualizing Cultures
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"These photos of men and women from different walks of life catered to foreign curiosity about the 'exotic' Japanese. Most were taken in [Felice] Beato's studio in Yokohama." All images with captions transcribed verbatim from the ca. 1869 album. With an in-depth essay by Alona C. Wilson.
Go to Museum Resource: http://ocw.mit.edu/ans7870/21f/21f.027/beato_people/index.html | |
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| Felice Beato's Japan: Places, An Album by the Pioneer Foreign Photographer in Yokohama |
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| Massachusetts Institute of Technology, Visualizing Cultures
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A 50-image album of images by photographer Felice Beato (ca. 1833-1908) that "features scenes along the routes that foreign sightseers travelled in the opening years of the Meiji period." All images with captions transcribed verbatim from the ca. 1869 album. With an in-depth essay by Allen Hockley, professor of art history at Dartmouth College.
Go to Museum Resource: http://ocw.mit.edu/ans7870/21f/21f.027/beato_places/index.html | |
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| The Floating World of Ukiyo-e: Shadows, Dreams, and Substance |
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| Library of Congress
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Online presentation of a 2003 exhibition showcasing the Library's holdings of Japanese prints, books, and drawings from the 17th to the 19th century. Images organized into the following categories: 1) Early Masters (1600-1740); 2) Major Genres: Beauties, Actors, and Landscapes; 3) Images and Literary Sources; 4) Realia and Reportage; 5) Japan and the West: Artistic Cross-Fertilization; 6) Beyond Ukiyo-e: Modern and Contemporary Japanese Prints. The EXHIBITION OVERVIEW provides historical background about ukiyo-e.
Go to Museum Resource: http://www.loc.gov/exhibits/ukiyo-e/ | |
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