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Resources Organized by Country/Region: Japan



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Japanese and French Art [PDF]
Santa Barbara Museum of Art
Hokusai’s artwork was an inspiration to Henri Rivière and many other European artists including Pierre Bonnard, Claude Monet, Mary Cassatt, and Vincent Van Gogh. They admired the bold designs, intense colors, and flat areas of pure color, as well as the elegant and simple lines of the Japanese prints. Lesson plan - See Also: Connecting the Art of Hokusai and Henri Rivière to Local Landscapes [PDF] and Three-Plate Landscapes Inspired by the Woodblock Prints of Katsushika Hokusai and Henri Rivière [PDF].

Go to Museum Resource: https://content.sbma.net/education/lessonPlans/pdf/23%20Hokusai%20and%20Riviere...
Japanese Woodblock Prints (9-12)
The Kennedy Center, ArtsEdge
Explore the history, evolution, and techniques of Ukiyo-e prints.

Go to Museum Resource: https://artsedge.kennedy-center.org/educators/lessons/grade-9-12/Japanese_Woodb...
Make a Temple Book or Japanese Screen
Asian Art Museum of San Francisco
Students will create their own books and stamps, and can inscribe poetry or good wishes on each others books. They will then take their books with them on a pilgrimage to the Asian Art Museum, the Japanese tea garden, or the beach, and record their impressions. Downloads include instructions and visual guides.

Go to Museum Resource: https://education.asianart.org/resources/make-a-temple-book-or-japanese-screen/
Meiji: Tradition in Transition
Virtual Museum Canada
This website for younger students introduces Meiji Japan from the perspectives of three generations of a fictional family, the Nakamuras, who are depicted as manga characters. The following topics are covered: 1) The Go Game (The Emperor, The Samurai, Politics, Industry, Religions); 2) The Western Parlor (Furniture, Education, Wedding Ceremony); 3) The Japanese Parlor (Decorative Arts, Tea Ceremony, etc.); 4) Ginza (Architecture, Transportation, Fashion, etc.); 5) Sumo. With images of related artworks throughout.

Go to Museum Resource: http://www.virtualmuseum.ca/edu/ViewLoitCollection.do;jsessionid=4207067E8DBC83...
Nature of the Beast: Animals in Japanese Paintings and Prints
Pacific Asia Museum of USC
Paintings and prints from the Edo period to the late 20th century. The inclusion of characters such as Godjira (Godzilla), Doraemon, and the Forest Spirit from Princess Mononoke makes this an especially fun unit for students. Text essays with images on the following topics: 1) Tradition; 2) Reality; 3) Imagination. With an Edo-period timeline, glossary of related terms, lesson plans for teachers, and a "Random Monster Generator" activity for students.

Go to Museum Resource: https://pacificasiamuseum.usc.edu/exhibitions/past/online-exhibition-nature-of-...
A Picture of Change for a World in Constant Motion
New York Times
An animated and annotated walk through of a woodblock print by Katsushika Hokusai: “Ejiri in Suruga Province,” from his renowned cycle “Thirty-Six Views of Mount Fuji.” Written in 2020 by Jason Farago, an art critic for the New York Times, the charming and informative annotation and enlarged images provide excellent historical background for this period in Tokugawa history and examples of artistic exchange between Japanese and other Western traditions of the time.

Go to Museum Resource: https://www.nytimes.com/interactive/2020/08/07/arts/design/hokusai-fuji.html?fb...
The Sino-Japanese War of 1894-95 in Woodblock Prints from China and Japan
The British Library
Produced in conjunction with theJapan Center for Asian Historical Records (JACAR), this web exhibition “The Sino-Japanese War of 1894-1895: as seen in prints and archives” has been produced as a collaboration between the Japan Center for Asian Historical Records (JACAR) and the British Library. Its aim is to bring together the collection of prints of the Sino-Japanese War held by the British Library and documents made public by JACAR to show how the events of the Sino-Japanese War were depicted and recorded by the people of the time. Both the Japanese and the Chinese prints included in this special web exhibition were produced at the time of the Sino-Japanese War to show the people of their respective countries what the war was like, a role played nowadays by news photographs. Therefore each country had a tendency to portray its own soldiers as strong and brave, but those of the opposing country as weak and small. Moreover many of the depictions seem to be based not on actual observation of the locations or events but on hearsay. Indeed some of them show scenes which could not have happened. From this it is clearly evident that these works were intended as propaganda at the time.

Go to Museum Resource: https://www.jacar.go.jp/english/jacarbl-fsjwar-e/index.html
Steeped in History: The Art of Tea [PDF]
Fowler Museum at UCLA
"Throughout its history tea has been a prevalent theme in the visual arts—scenes of tea embellish ceramics and textiles and are the subject of paintings and drawings, and all manner of vessels have been fashioned for the preparation and presentation of tea. Steeped in History brings together rare Chinese ceramics and paintings, 18th- and 19th-century Japanese ceramics and prints, extraordinary English and Colonial American paintings, vintage photographs and historical documents, tea-serving paraphernalia and furniture from many countries, and much more —to tell the fascinating history of tea." This curriculum guide to the exhibition includes five lessons corresponding to the five themes of the exhibition: 1) China, Cradle of Tea Culture; 2) The Way of Tea in Japan; 3) Tea Craze in the West; 4) Tea and Empire; 5) Tea—Parties and Poetry.

Go to Museum Resource: http://www.international.ucla.edu/media/files/Fowler_tea_curriculum.pdf
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