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| Selling Shiseido: Cosmetics Advertising & Design in Early 20th-century Japan |
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| Massachusetts Institute of Technology, Visualizing Cultures
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"The 20th-century history of the Shiseido cosmetics company provides a vivid image of the efflorescence of modernity in Japan—reflecting the changing ideals of feminine beauty, the emergence of a vibrant consumer culture, cutting-edge trends in advertising and packaging, and the persistence of cosmopolitan ideals even in the midst of the rise of militarism in the 1930s. This unit draws on Shiseido’s vast archives, focusing on the marketing of concepts of modern beauty from the 1920s through 1943, when wartime exigencies eventually curtailed the promotion of an international aesthetic of worldly chic." With an in-depth essay by Gennifer Weisenfeld, professor of art history at Duke University.
Go to Museum Resource: http://ocw.mit.edu/ans7870/21f/21f.027/shiseido_01/index.html | |
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| Timeline of Art History: Japan, 1900 A.D.–present |
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| The Metropolitan Museum of Art
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"The twentieth century is a turbulent time in Japan, as the country vacillates between unprecedented heights of power and wealth and the depths of poverty and devastation." With a period overview, list of key events, and 10 related artworks. Also has links to an abridged list of rulers in Japan, and timelines of China and Korea during this time.
Go to Museum Resource: http://www.metmuseum.org/toah/ht/?period=11®ion=eaj | |
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| Tokyo Modern: Koizumi Kishio's "100 Views" of the Imperial Capital (1928-1940) |
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| Massachusetts Institute of Technology, Visualizing Cultures
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"100 Views of Great Tokyo in the Shōwa Era, a series of woodblock prints produced between 1928 and 1940 by Koizumi Kishio, explore the rebirth of Tokyo in the years following the Great Kantō earthquake of 1923. Koizumi’s prints depict the transformation of an important Asian city as it embraced modernity, maintained traditions, and became the site of ultimately disastrous political policies. In addition, Koizumi was a member of a new, modern printmaking movement in Japan known as sōsaku-hanga or 'creative printmaking.'" With an in-depth essay by James T. Ulak, deputy director of the Freer/Sackler Galleries at the Smithsonian.
Go to Museum Resource: http://ocw.mit.edu/ans7870/21f/21f.027/tokyo_modern_01/index.html | |
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| The Yamato Colony: Pioneering Japanese in Florida |
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| The Morikami Museum and Japanese Gardens
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"Yamato —an ancient name for the country of Japan. Why do we find the name here in Palm Beach County? Because Yamato, Florida, was a small community where Japanese farmers once lived. The story of Yamato begins with Jo Sakai's visit to Florida in 1903." Online presentation of a permanent exhibition at the Morikami Museum in Florida. Informative text with a few small historical photographs.
Go to Museum Resource: https://morikami.org/yamato-island/ | |
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