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Scrolls of the Mongol Invasions Annotated |
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This site allows you to view individual scenes depicting the Mongol Invasions of Japan. Takezaki Suenaga, a warrior who fought against the Mongols in both 1274 and 1281, commissioned scrolls recounting his actions. This unique record of the invasions, and important eyewitness account, was heavily damaged in the ensuing centuries – according to lore they were even once dropped into the ocean! By the time of their rediscovery in the eighteenth century, the scenes and text of the scrolls were scattered into separate sheets. See also the partner site: Mongol Invasions of Japan - 1274 and 1281.
Go to Museum Resource: http://digital.princeton.edu/annotatedscrolls/ | |
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Sword Bearer Lamp (China) – 3-D image (470-422 BCE) |
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Bronze, made with piece-mold technique. ”The lamp is cast using piece-molds, and assembled from multiple pouring casts of the body and head, with cast-on components, including the chin strap ends, waist knot, sword, and the lamp pan and shaft. The body and head are cast in three successive pours, making use of different alloy compositions to achieve a polychromatic effect. The head and lower hem are cast with a darker ruddy colored bronze, while the outer tunic, waist knot, sword, and lamp dish and shaft are cast with a pale gold colored alloy. The rectangular tenon end of the lamp shaft is inserted into the hands the figure and pinned in two directions to prevent movement, and secured by lead. According to tomb inventories (qiance) this type of lamp is called zhuyon According to tomb inventories (qiance) this type of lamp is called zhuyong ("lamp-figurine"), and similar lamps have been found in Warring States and Western Han (206 B.C.–A.D. 9) burials. Such lamps may have been used in tombs to provide light during burial rituals, to guide the deceased soul on their afterlife journey, or to embody the soul in the form of an eternal flame during funerary ceremonies.
Go to Museum Resource: https://artmuseum.princeton.edu/asian-art/china/models/swordbearer-lamp-model | |
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“Tree of Heaven” Hanging Oil Lamp (Java, Indonesia) |
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14th-15th c. Bronze. “… The climbing figure may be related to figures climbing floral scrolls toward a man and woman riding a bovine found on other oil lamps of this period. This may represent an episode from a legend that has yet to be identified. The design of the present lamp could also represent a figure climbing the "tree of heaven" and reaching for the elixir of immortality.”
Go to Museum Resource: https://artmuseum.princeton.edu/asian-art/southeastasia/models/tree-lamp-model | |
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